Greek Revival

High Performance, Timber Frame House in Vermont

Last week I received these photos of a project I helped out with last year. When I say helped out it really means just that. As an architect, I do very little imposing on clients. I nudge, hint, suggest, recommend, advise but in the end it is their project and their money and people hire me for different reasons. Sometimes it doesn’t go as smoothly as this which ended up being a pretty sweet project and people make some really awful decisions. (you don’t see those projects in my portfolio but all architects have them) These clients live a few hours away in another part of Vermont. I visited them last spring and I’ll make sure to visit again.

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Of all the projects I do, most projects involve some level of client involvement during construction – not just during the design phase. It may be as little as purchasing fixtures and lights and doing some painting but often I design for clients who will be doing the contracting and much of the building themselves. This is Vermont after all. It’s how we roll up here. In this case the young couple had family with timber framing experience, they had survived the house building process as kids and they were ripe for some professional assistance with floor plans, aesthetics and some good solid building science. The result is one of my favorite combinations – good building science, natural building and classical New England detailing and form. And enthusiasm.

Specifics:This is a timber frame cut from wood harvested on site. The frame is wrapped with a neat double stud detail that puts the intello air barrier in a nicely protected location. Braces are set so that sheetrock can slip nicely behind them saving much labor fussing. Much of the framing lumber also came from the site. Interior finishes are plaster which saved them money on taping and finishing the sheetrock as they were able to do it themselves. Future provisions were made for a mudroom and porches. This house may even end up being net zero. The overall footprint is 22’ x 34’ which seems to be a common size for my work in recent years. I can do a lot with that footprint. Enjoy.

This project represents a "limited services" project. My role is to assist where needed but I don't do full architectural services. My usual role involves lots of help with plans, advice with the building science and buildability aspects of things and helping the clients to keep things as simple as possible. I spend much time as a sounding board. Drawings are fairly minimal and often involves sketchup models and sketches in lieu of construction drawings. I do minimal structural and framing plans, no electrical plans, no interior elevations, minimal specs and schedules etc. We really focus on the core elements of the house. Costs for this level of service range between 2 and 5 % of construction cost if you want to look at it that way. I've done a lot of these projects over the years and I've been involved with some really great clients.

New Video features the Greenfield House team

The Main Team for the Greenfield house put together a short video about the house and the process of build an home with an integrated team which is pretty much necessary to do a high performance home. This video briefly explains a bit about what that means. The key players are Chad of Vermont Natural Homes, Mel of Helm Construction Solutions and myself, Bob Swinburne of Robert Swinburne Architect, LLC and Bluetime Collaborative, which represents the bringing together of key players in a collaborative team which is how I like best to work. Grady Smith of Grayson Digital did the filming and video production

Here are a few other videos that I have been featured in. The first features the Fern House and has been viewed over 28k times by now. The second is called "Living Small - Tiny House Documentary and has been viewed over 50k times

 

 

foursevenfive.com Feature - Greenfield House

The folks over at 475 High Performance Building Supply wrote a very nice article about the Greenfield house last week. foursevenfive.com provides building materials and expertise to many high performance home builders and architects.This plan will be the next stock plan available in the VSH - Vermont Simple House series. I'm working on bringing it to a high level of detail now.

The article contains many process photos and an excellent description of the process with Vermont Natural Homes, Helm construction Solutions and Deap Energy group

Greenfield House Complete

Here are some decent shots of the Greenfield House project which is nearly complete and not a full-on Passive house but did meet the Mass Tier 3 rating requirements. There will be minor things to do over the next year. I will continue to photograph this house over time to improve my photography skills so stay tuned for more. This project was a collaboration with myself, Vermont Architect Robert Swinburne, sometimes known as Bluetime Collaborative and Vermont Natural Homes and Helm Construction Solutions working for VNH Details: The house has 16" thick walls with an empty service cavity so that's not all insulation, Klearwall windows + a Menk storefront window, custom fabricated steel stairs with live edge cherry treads, local maple floors, Vermont slate tile in the upstairs bath and mudroom, stone countertops from Ashfield stone - (the stone is quarried locally and represents the underlying bedrock in this region) - accurately detailed and proportioned roof trim (to make the house look super classy) a bold front porch made from Vermont white cedar, black three tab shingles ( I HATE architectural shingles). We achieved an airtightness level of .066 - Mike Duclos of DEAP Energy Group did the testing and Mass Tier III certification. Fresh air is supplied by two pair of Lunos through the wall air exchange units from 475 High Performance Building Supply The overall footprint is 700 s.f. with 600 s.f. per floor on the inside. Visitors report that it feels much larger.

The overall design is intended to be super classy and appeal to both traditionalists and modernists without being overtly stylistically categorizable. I wanted to show that a modern, superinsulated (almost Passive House certifiable) house doesn't have to look super modern or look like it was designed by an person who only cared about the numbers like so many super high performance houses do. I think we pulled that one off.

Vermont architect, Robert Swinburne, Bluetime collaborative

Vermont architect, Robert Swinburne, Bluetime collaborative

Vermont architect, Robert Swinburne, Bluetime collaborative

Vermont architect, Robert Swinburne, Bluetime collaborative

Vermont architect, Robert Swinburne, Bluetime collaborative

vermont architect, Robert Swinburne, big window interior

Vermont architect, Robert Swinburne, Bluetime collaborative

Vermont architect, Robert Swinburne, Bluetime collaborative

Vermont architect, Robert Swinburne, Bluetime collaborativeVermont architect, Robert Swinburne, Bluetime collaborative

Vermont architect, Robert Swinburne, steel stairs

Robert Swinburne, Vermont Architect

Greenfield project update

I have a lot of photos from the Greenfield project. I am spending a fair amount of time on site working out details with the builder. I strongly feel that this is the way it should be. Things never translate perfectly from paper to built form no matter how much detail and specificity I put into a set of construction documents and on this project, I am spending much time on site figuring things out and detailing to a higher level. I think Chad, the builder, appreciates this process and I'm finding that it hearkens back to my pre-architect design build days. I hope to do more projects with this level of involvement in the future. I really think that this is "the way to go" here are lots of photos. Note the local wood use: Cherry stair treads with "live" edge, local maple flooring downstairs and pine upstairs, Vermont slate, and a wall sheathed with weathered pine off my own land.Robert Swinburne, Vermont Architect, Bluetime, Brattleboro

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Greenfield House project update

I spent part of Sunday painting at the Greenfield project with the builder Chad of Vermont Natural Homes. The all white primer that drywallers left us with was rather intense in the bright winter sun. The main bedroom upstairs which faces south was almost too bright to tolerate. It was good to spend much of the day there on a sunny day to better understand the light and to see how things will photograph when all is said and done. The color we used is a light blueish gray and it really had a soothing effect on the main room. I hope it will feel warm at night under artificial light as well. I am a bit concerned about this room as it had so much going on in terms of different materials on different surfaces. It was nice to spend the day talking with Chad about design and business and such. I don’t often get to interact on that level with the builders. There is a lot going on in this house that will help me learn and get better as an architect and help Chad get better as a builder. Plus the part where it is shaping up to be stunningly beautiful. Greenfiled house Robert Swinburne Brattleboro Vermont architect

We tried a different construction method for this project than plain old double stud walls. There is potential in this method – (see previous post) but I don’t think we gained as much as we hoped in terms of air tightness and ease of construction. There are some Passive House builders using this method to hit ridiculously low cost per square foot numbers and it has numerous other advantages. I look forward to improving the detailing next time around. Double stud construction (used on the Ames Hill Project shown below) is the local standard here in Southeastern Vermont. The cost/benefit ratio is very high and local “green” builders are very familiar with it and prefer to build this way. Some local builders are also starting to advocate using locally milled boards as sheathing rather than OSB and plywood as well. I asked around (sent out a formal questionnaire even) and most think the cost difference is negligible.

Greenfiled house Robert Swinburne Brattleboro Vermont architect

We also had issues with the trusses on the Greenfield project. Maybe we just had bad luck but it seems that whenever I’ve tried to specify trusses to save money, they come through just imperfect enough to cause problems that need to be solved in the field.

I detailed lots of things both interior and exterior in such a way that they can be filled in later but don’t interfere with occupancy permit and impression of completeness. The sheetrock around the deep set windows for instance, costs more on the drywaller’s bill but when they leave, the window is essentially trimmed out. Done. We can add a sill later. Perhaps even just laying some slate tiles on the window sill. I have found that using wood trim on deep windows looks too...heavy and complicated. There are more cool and experimental things happening at this project as well which I will detail in a later blog post as they happen.

Greenfiled house Robert Swinburne Brattleboro Vermont architect The stairs aren't in yet so I did some quick and dirty photoshopping: 6

On most (all?) projects there is a level of design that is in the earlier, preconstruction drawings and models that I find really hard to convey to builders and clients and thus gets edited out of the final constructed project. Things that often look unnecessary on paper and I sound silly trying to explain but, the older and more experienced I get, the more I understand how important these things are. Once in a while I have a client who trusts me enough to let me do what I do to a greater extent. I suspect I have been luckier than most architects in that regard. I am so often trying to use space, light (and dark), flow, texture, detail, color etc. to shape and affect emotion and state of mind for my clients and I hope that long after I’m gone that will be a big and recognized part of my legacy.

Greenfiled house Robert Swinburne Brattleboro Vermont architect

This project and the Ames Hill Project have been opportunities to work with - and see how to work with - a full-on construction management firm – Helm Construction Solutions. This is part of trying to reach a higher level of service as an architect (it’s a hard thing to do as a sole proprietor) as well as re-write how projects happen locally. I have lots of cost and pricing information gathered on my own over the years that I can use for rough estimating purposes but what Helm does involves knowing the cost of things much more accurately earlier in the process. I have found few builders who can really do this well. It tends to be a level of service one would expect of a larger firm with a dedicated staff (back at the office) for this aspect of construction. It’s very much about managing expectations, communications, process, accountability and smoothing the tumultuous process of building as much as possible.

helm construction solutions brattleboro vermontVermont Natural Homes

I filled out some of the Bluetime Collaborative section of my website finally – check it out from the top menu.

Vermont Architect Robert Swinburne southern vermont

A Smallish House in Massachusetts

I am working on a 1400 s.f house in Massachusetts. Given that the walls are over a foot thick, the actual square footage is quite a bit less (about 1200). The extra insulation (and cutting edge building science) allows us to forgo a heat system other than a relatively inexpensive minisplit - and monthly fuel bills. Here are a few images of what I'm up to. no fancy rendering for now, just the Sketchup model and some Vectorworks CAD drawings. composite section showing stairs, construction details, interiors and exterior trim

Brattleboro architect Robert Swinburne

I spent a fair amount of time detailing the steel and wood stairs in Sketchup as I have found that is the only way for me to really figure out every nut and bolt and refine the design to the level that I am comfortable with before construction drawings. I like to approach the stair as sculpture with every piece exact and connections "just so". Thus I am able to design something that is quick and easy to assemble with just the right amount of "fudge space" built in. steel stairs

steel stair design

The floor plans have shrunk and simplified from the last version becoming more functional and comfortable.

Floor plans

Southern Vermont Classic Addition - new photos

Here are some photos from a recent project. This is an addition to a huge old barn which had a fairly recent Timberpeg addition to it. I did some work with the addition plus a larger new addition in a Greek Revival style with wrapping porches to create a more cohesive whole (and add a bunch of space) The addition is framed with double stud walls and super-insulated. Windows are triple glazed double hung. Fiber cement siding over rainscreen.Enjoy.

Modern Greek Revival farmhouse addition in Newfane Vermont Modern Greek Revival farmhouse addition in Newfane Vermont- older addition by others is to the right Modern Greek Revival farmhouse addition in Newfane Vermont Modern Greek Revival farmhouse addition in Newfane Vermont Modern Greek Revival farmhouse addition in Newfane Vermont href="http://swinburnearchitect.com/wordpress/wp-content/uploads/2013/07/R1.jpg">between their bedrooms

Miscellaneous Musings

I am working on this new small greek revival in Maine. Not the high style Greek Revival with huge columns like you see on banks and government buildings but the small, simple style that is so ubiquitous in New England and doesn't get much attention but everybody knows. I'm designing it to "pretty good house" standards. It is for a family member who lost her house in a fire- we'll see how the budget goes and if the details get watered down as is often the case. She has always loved the Greek Revival look which is more often done wrong than right it seems. I used this sketchup model to push and pull and play with trim and proportion to get it right. I have found that often the frieze board (the wide flat board at the top of the siding under the eaves) often gets shortchanged when the builder frames the house including window openings then discovers that he doesn't have enough room for a properly proportioned frieze.

In any design there is always a lot of back and forth on windows - what works inside may not be so great on the outside etc. so I use the model to really fine tune it in terms of balance, rhythm, symmetry/asymmetry (exterior aesthetics) and light, cross ventilation, views, sun and solar gain, the feel of the room, (function and interior aesthetics)

This is very different from this house which is currently under construction in Vermont which is also a "Pretty Good House" although nearly to the Passive House with Unilux triple glazed windows from Germany But with a modern aesthetic and some really beautiful spaces and materials. We are using raw green 1 x 3 hemlock from a local mill at siding over coravent strapping (rain screen detail) and Mento 1000 weather barrier. The hemlock will dry in place, turn grey and gap in a rougher version of open joint siding often created with Ipe or cedar siding.

I am also studying and reviewing the first three days of Passive House training. The next three days are coming up next week. I am learning a lot of building science stuff that will improve the level of design and service I am able to provide - whether or not I ever get to work on a certified passive house. It was disconcerting, however, to ride the bus into Boston past thousands upon thousands of older houses and housing stock that is rather the opposite of Passive House in terms of energy usage and all the other metrics. You get the feeling of "what's the point". Is passive house a just another trophy for someone building a new house to attain and meaningless in terms of saving ourselves from the coming death, doom and destruction of climate change? I am looking at it in terms of simply building better houses and not thinking about saving the world.

"No matter how many times you save the world, it always manages to get back in jeopardy again. Sometimes I just want it to stay saved, you know? " - Mr Incredible.