mutterings

An Architect Designed House

At a recent open house I answered lots of questions, was generally sociable, I smiled, people liked my cookies and loved the house.  I was exhausted.  What really has been rolling around in my head over the past week and a half since the open house whas when somebody said this: "Now I understand what the difference between an architect designed house and a regular house is"

I have been thinking lately about what I do and what my strengths as an architect are.  And I realize that what I do and what I can do are not necessarily the same things.  What I do is useful to many people.  What I can do is only for a very select few and they don’t come along all that often.  Architecture is, or can be, art.  It’s that aspect of it that few people are aware of even though it seems so clear to me.  Architecture, even at the mundane level of the design of someone’s kitchen in a modest house can tickle and play with one’s emotions and spirit in surprising ways.  I seek out those little moments.  I slip them in when nobody is noticing.  A trick of the light here, a surprising and happy alignment there.  Few people care about such things or at least think they don’t.  Many people, many past clients, many builders have difficulty viewing architecture, at least residential architecture with a small “a” as anything other than a commodity or a problem to solve or a product to sell or purchase.  This is often brought home to me when I put such things in the design and they get X’d out because I failed to convey their importance.  Small but capital “A” stuff.  And often these things are not important. To most people.

General goings on, update and an Open House

Last winter it looked like I was in for an un-busy spring. That turned out not to be the case.  I'll turn this blog entry into a bit of a diary for the past 6 months or so. SEON - Sustainable Energy Outreach Network is a Brattleboro organization that I'm involved with.  You can read more about what they do here and I encourage anyone within a reasonable distance to check them out and become involved.  They are currently working on setting up a program to provide training in green building practices for people interested in a career in carpentry and building.  This spring my wife Rachelle became involved with SEON as part of her Capstone project at Marlboro Graduate School. - she has also been very busy with getting her  Masters degree.   As one of SEON's public programs, Chad Mathrani of Vermont Natural Homes and I put together a public presentation on high performance homes.  Chad and I held an open house at the Greenfield project for Greening Greenfield which was well attended and I will be doing another open house there on October 14th as part of a green homes tour put on by SEON. (come see!)/I dug into producing a set of plans based on the Greenfield house (see image above) to sell directly as stock plans. I hope to develop a new and improved business model with this. The purchase of the plans will include some consulting time via phone or email or in person if local. Additional time will be at an hourly rate. The plans currently include a sketchup model and a sales sheet if someone is interested in building this as a spec house. The sales sheet is already for sale elsewhere on this website. Future goals are to have an ala-cart menu of add-ons such as lighting design/consultation with a lighting professional, energy modeling for the specific location, standard additions such as an ell or a garage, perhaps a pre-configured and pre-priced product package with foursevenfive.com, Help with window ordering, etc. The basic plans have simplified high performance detailing on the level of “Pretty Good House” but are easily upgradable to Passive House Level. I am realizing that this is a major undertaking in terms of time and money so I have been a bit slow in pulling this off. I should re-purchase VermontSimpleHouse.com and set this business up independently of the Vermont Architect / Robert Swinburne / Bluetime Collaborative Website. Long term goals include a series of similar designs. I have spent years studying the stock plan market and I think this design and format will tap into an unaddressed market. I became distracted from this project when several interesting projects landed on my lap which I have been working intensely all spring and summer (no summer vacation for me)

Super insulated timber frame with Vermont Natural Homes:

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A new High Performance Home for and with Dylan Kinsey of Kinsey Construction up in Northern Vermont (I hope to do more work up there in coming years)

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A complete renovation of an old barn that was turned into a summer house at some point but is currently undergoing a complete gut remodel with Webster Construction and Helm Construction Solutions.

A complete renovation of a cottage on the Rock River with Mindel and Morse Builders

Entry detail

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there are a couple cottages under construction as well

There are assorted smaller projects and consulting as well.  I only went swimming once this summer for about 10  minutes.

And I’m spending time upping my Vectorworks CAD skills Plus I’m Learning Revit.  I’m also learning video editing 

Outside of work, I have been doing assorted small projects on my home, getting back into trail running and cycling - I hope to ride and compete in "gravel grinder" events next year and, as usual, failing at gardening.  I'm also preparing to turn 50 in a week or so.

Also in the way of distractions I developed a nasty sinus infection earlier this summer and now I have Lyme Disease!  Yes I’m taking antibiotics. It’s been a bit of a rough summer health wise but at least I’m getting some bike riding and trail running in.

One last bit: Here is the flyer for the open house at which I will be holding forth at the Greenfield House on October 14th.

HomeTour2017-poster.jpg

 

 

The new year's plan for Robert Swinburne (me)

THE NEXT YEAR AT BLUETIME – GENERAL THOUGHTS AND GOALS

    1. Architecture

    – My hope is to take on few but interesting and financially rewarding projects. a. I need to look at contracts and communications. Emphasis needs to be placed on clarifying the process and expectations at the beginning of any project. b. Break even is estimated at $xx/hour (2/3 billable) c. Keep better track of ALL hours including washing dishes and walking dogs d. Hardware and software upgrades and investments - need to spend some $ this year e. Build construction meetings and check-ins into contracts and specs f. Complete website – including print ready projects pages, press, Bluetime Collaborative g. SEO is fading – how can I improve?

    I tend to get burned out on the intensity of working as a sole practitioner trying to be an expert in everything. (and keep track of everything) I am pushing the collaborative aspect of projects in order to do fewer projects at a higher level of service by both distributing the task load and adding in aspects of service that I have not in the past as well as get support in the organization of my services. This costs more in design fees so I expect to do fewer projects overall. I really need to avoid doing two high performance homes (for example) at the same time. I will continue to offer basic services with limited involvement as I have often done successfully in the past. There is a market and need for that plus I enjoy it. The resulting projects are not the best portfolio fodder and generally not brilliantly cohesive and resolved. Plus I think they are often actually more expensive than if I were more involved with design and detailing. But it is good clean work and I enjoy being helpful.

    The following are other interests that I have been wanting to pursue but have been too swamped to think about. By incorporating these into my business plan, I hope to be able to do less and better architecture for a carefully selected clientele. And these additional projects will strengthen the core of my business, help even the flow of work and allow me to...be better at what I do.

    2. Furniture– line of tables (2+ models?)version one is sitting in my kitchen right now. a. Build 2 models (requires $$) b. Photography c. Simple website w/ecommerce – Etsy? d. Cost analysis including shipping e. Who can provide metal and wood and what time frame? f. Is there a way to start low key? Etsy? My own blog? Can I get in with a local furniture store?

    3. Photography – Invest in photography equipment and knowledge in order to be able to photograph my own projects and make extra income photographing other’s projects. a. Equipment costs - minimal at first b. Greenfield is a good place to practice c. Practice and education d. I already have decent photoshop skills - most of my portfolio is manipulated raw images through photoshop (And it's pretty good if I do say so myself) e. This sets me up for publishable work, boosting the architecture business. f. architecture specific photography for local builders, realtors. Not super-pro and not for pro-level fees but I see a need for this sort of thing in the area.

    4. Stock Plan Market a. Need to add 5+/- additional stock plans to the stock plan portfolio on houseplans.com b. Initial time investment = residual income

    5. Sketchup modeling a. Would other firms pay me to do sketchup modeling for them? (I'm pretty good) b. Need to spend time upping my skill level c. Additional plug ins such as rendering? Or should I ignore rendering for now?

    The future of my career is nebulous. (thus, in part, the diversification listed above). I periodically consider going to work for someone else but suspect that wouldn’t last long. Or maybe it would be really refreshing? I am in danger of becoming a dinosaur with regards to what I see going on regionally as well as nationally. There will always be a need for the little guy who can address residential needs but new homes will be increasingly built by larger organizations. Pre-fab, factory built, modular etc are the future of residential and there may be a way for me to work within those parameters. At this point in my career I don’t expect to do any projects other than residential.

    I also continue to design and redesign additions and renovations to my own home. I want a real kitchen (with a dishwasher) so I can log more hours there.

    Robert Swinburne Vermont Architect master plan kitchen addition Brattleboro

    And I have to build a chicken coop and a greenhouse in the next few months.

Taking Stock of the Business

The current state of things. In rather wordy format. It was late.Sometimes it is good practice to write down a general summary of the state of my business to help myself put things into perspective. I have several projects under construction. The Greenfield MA house for my in-laws is being framed currently by Chad and company with Vermont Natural Homes and Mel of Baiser Construction Management. vermont architect Robert Swinburne I have spent and have yet to spend an inordinate amount of time on this project. I am using lessons learned here to bring my services to a higher level than ever before but it is tough. Sometimes I wish I had stuck with the design-build route so I would have more control. This project didn’t have quite enough money in the budget to go the Passive house route although the insulation levels etc may actually end up performing at Passive house levels but without the added cost of certification. It’ll be close. I learned (deja-vu) that trusses (like SIPs) are not perfect. I’m second guessing myself about the TJI’s outside the structural shell to hold insulation. (would it have been cheaper to do double stud?) I may do some tiling there myself and I need to schedule a trip with Mom-in-Law to IKEA for the Kitchen cabinets. And the whole family is pre-priming the trim on the old logging landing at my house. The AH house is on a similar schedule for construction but with a higher level of finish work and a higher budget. vermont architect robert swinburne This project got a bit crunched in terms of my work when it disappeared for a few months and then started back up after I had filled the gap. It has been a bit tough getting everything out to the builders and clients on a fast track schedule. Especially when I am only working part time. Which brings me to my own project. I live in a small house with a cat, three dogs, an 8 year old girl, a 3 year old boy and my lovely wife. We have one bathroom. Which was rapidly disintegrating into goopy piles of mold. I really needed to do something about it so this year, with a little ($) help from mom, I performed a gut remodel job. I had to rebuild the entire exterior wall down to the foundation and remove and rebuild the entire wall between the bedroom and the bathroom. vermont architect Robert Swinburne I even ripped up half the subfloor. The only thing that stayed was the exhaust fan in the ceiling and the door. The plumber arrived yesterday and I took an extremely luxurious shower (and other things) last night. This project has taken a fair amount of time (I’ve been keeping track of this as I would a regular job) So I’m a bit under the gun with this personal job and the jobs I have under construction which isn’t that much work except that don’t forget, I’m only a part time architect. I have, for the most part, been successful at getting meals on the table, keeping the house clean, keeping up with the laundry etc. but I’ve had to pretty much give up cycling this summer as I have to try to make all my time every day productive. I’m also a bit behind on the winter’s wood supply and some other home maintenance jobs. This week I started back working on a long term project that will start construction next summer – the house for slow living. It is more expensive than the client’s original number and I have been pointing that out to the point of getting told to “shut it” because they like it so much. Which is fine but I have been a bit paranoid about digging into the CAD work in case it is all for naught. The biggest $$ savings would have come from putting the house on a floating slab ala Bygghouse and Chris Corson. (check out his system here). This is fairly standard in Sweden and Scandinavia as well as other cold parts of the world and the detailing is certainly well vetted and has stood the test of time but is a bit too “different” for the more conservative local contractors. So “no go” on that sales job. They want a full basement. Interestingly, some friends are doing a floating slab for a project in the neighboring town. More hip contractors I guess. I need to write a blog post comparing different types of foundations. I’m starting this project in full-on BIM mode. There will definitely be some unbillable hours there as I learn things. BIM or Building Information Modeling is using the full potential of my very expensive software to create a project in full 3-D as opposed to “drafting” The benefits are more accurate and more efficient construction documents as well as being able to perform more accurate lighting, shading, and energy modeling studies. This is standard practice for larger firms and the more geeky and technically oriented small firm practitioners (of which, I am not one of) But I’m always pushing myself on these things. I also didn’t get a rather large job that I was a bit nervous about as it would have taken a huge amount of time and the budget was fairly unrealistic as was the time frame. I didn’t get the job because my portfolio of commercial work is quite thin. I have been doing almost exclusively residential for the past decade. In retrospect, I should have sought out a partnership to do this job. There are several really excellent firms that have expressed interest in working with me and I would love to do that sometime but I’m sort of glad I didn’t get the job. It would have been too stressy and I probably would have lost money. Last week I met with a couple who want to renovate an old farmhouse/cape that hasn’t even been lived in for decades (no asbestos, no 70’s kitchen to tear out, no insulation) That sounds potentially very cool – I LOVE working on old New England houses. There are also a few smaller projects that may materialize plus I need to spend some time on my stock plan portfolio and finish building this website. I’ve been thinking about the future of my business as well. It seems that it will remain part time for the foreseeable future. My wife works ¾ time and is in grad school as well. Perhaps, in a few years she will get a regular job with a salary and a 401k and I’ll remain part time or perhaps I’ll be forced into more full time work and she will reduce her hours. It’s all too unknown to make plans so I’m just taking it one day and one job at a time with no plans for growing my business. I think that if I were to ever take on a partner, that person would have to be in a similar situation time-wise. Plus they should have an MBA and be really good at hanging out at brewpubs and schmoozing.

The light at the end of the tunnel is this: (The plumbers installed a new toilet in my bathroom yesterday) Vermont Architect Robert Swinburne Brattleboro

The business card at the top is by EM Letterpress

State of…. Things.

State of…. Things.Nutshell: This has been a very busy spring and summer. I have barely been able to keep my head above water. I have two houses starting, one of which is for my wife’s folks so they can be closer to our family in their retirement. These still need lots of detailing and supervision and I’ll be doing some work on the In-law’s house. I have to write up a proposal for a slightly larger scale project than what I usually do which I would start toward the end of July. Another house that will be built in 2016 needs tons of work over the fall. There have been a few smaller jobs here and there and I should probably secure a few more house projects for next winter.

I’m trying to take several weeks off to renovate my own bathroom (difficult as I only have one bathroom)

bathroom renovation drawings

And build a greenhouse.

White cedar greenhouse

Plus I’m a bit behind on the next winter’s wood pile. (understatement)

I have a friend learning Vectorworks (my CAD program of choice) in order to be able to help me out a bit but I’ve found that my process throughout a job from initial site studies to final detailing doesn’t lend itself very well to hiring a drafter. I need to work on that. I don’t want to grow and take on employees at this point in my career. I can’t offer anybody x numbers of hours per week or a salary – I don’t really earn what any other architect would consider a living so how could I pay someone else? I need to do a better job of smoothing out the whole process and identifying potential collaboration aspects of what I do.

I periodically consider going to work for someone else and maybe I will someday. I could certainly bring work into the firm and it might be more fun. I’m hoping to be pickier about the projects I take on and I really should pre-screen potential clients better and ask for references. I’ve been fired from jobs where I heard later that I was not the first architect they fired. I need to take a look at how I communicate. Email is great as I have a written record of nearly all communication on most jobs. But with 50+ emails in my in-box every day, communication with clients can be a significant amount of my day and I need to factor that into my fees. I also need to do a better job at setting limits. Perhaps I should put into my contracts that I will not answer emails during non-business hours and cannot guarantee and answer within 24 hours but will answer within 48 hours or something like that. I keep getting caught in the part time aspect of my business where I am off for a day with kids and don’t access the internet or check emails. Often, I have little warning when these days will occur. (Such as when a kid starts throwing up at 7 a.m.)

I also had a recent small job where the clients really took advantage of my fee structure and contract with 10+ on site meeting to go over 30+ schemes that they had come up with (for me to make work). I would go home to draw something up and a new scheme would arrive in my inbox rendering the past afternoon’s work useless. I’ve never before had that happen on that extreme scale but I can see why other architects put clear limits on meetings and schematics.

So the short of it is that I’m really busy doing fun work and actually starting to make some money at this. (I may be able to retire by 2045!) But I have a lot of work to do on crafting how I run my business, both for myself and for current and future clients.

Entrepreneur Architect is an online community of small business owners in the field of architecture sharing information, ideas, and ways of doing business and generally supporting each other which has been immensely helpful over the years.

Observations from Rachelle (my co-#1 fan)

Bob has been asking me for some time to write a guest blog entry and since he has happily been to busy of late to write much himself, I thought this was a good time to finally make good on my promise to do so. Last year, I had a visit with an old friend who had recently moved back to the area. I hadn't seen her for a while, and it was the first time I'd seen her new house since it was just a partially-erected timber frame. It was lovely to see my friend after such a long gap, and also fodder for pondering and a blog entry.

The house was nice—open, tasteful, bright and spacious (huge by our standards) and it fulfilled their goal of functioning as somewhat of a community gathering place as well as a home. For example, they were holding a weekly meditation group in a specially designed meditation/yoga area. But I couldn't help thinking that if Bob had designed it, it could have met their needs so much more simply, elegantly and with much less square footage.

Of course I said nothing (how can you say something like that and what would be the point?) as I had said nothing during their design process. It seems rather self-serving to say to a friend who's designing their own dream house, “you know, you should really consider hiring my husband.”

But what I learned next makes me question whether that was really the best approach. When somebody builds a house, you expect them to be excited, even jubilant with the result. Instead, my friend told me that she felt like she had PTSD. There wasn't a single corner of the house she could look at without dredging up the stressful arguments with contractors over that bit of construction. She wished she could be rid of the house, but they were sunk in it for so much more than market value, that wasn't an option.

The biggest mistake they had made was to get sweet-talked by the GC into inadequate planning and problem-solving. One thing Bob stresses to all his clients is how much easier it is and how much cheaper it is to work out problems on paper. My friend believed her charismatic contractor that they could figure it all out as they went. What she figured out is that it's very expensive to pay for an entire crew to stand around and wait while hasty compromises are made.

I could go on, but you get the point. My friend's unfortunate house-building experience is a classic example of why it pays to pay for someone good to be on your side. Of course, that's no guarantee of satisfaction either, I suppose. I'm thinking of some clients who fired Bob a few years back after he showed them a rendering of what the addition floor plan they loved would look like in elevation. Not at all what they'd expected. You'd think they might have been appreciative to discover that after a few hours of design time rather than mid-construction. No accounting for people. It's now once again been a while since I caught up with that friend. I hope she's come to peace with her process by now, and that she's enjoying her home. And if another friend embarks on the process of building a home? I wonder if I'll serve them by being self-serving. I'll probably just give them some generic advice about working all the kinks out that they can on paper, and leave it at that. After all, my friends all know I'm married to an architect.

Thinking ahead

HA! This happens a lot. I just got a call from a contractor who wanted to modify roof trim on an addition to make it both easier and he thought it would look better. Which it would except that a future phase of the project involves adding a porch in such a way that the frieze on the addition becomes the casing for the porch beam. The continuity was important to the client to calm that side of the building. In the image, the red over the window is where the contractor wanted to case the window with 1 x 4 thus creating a narrower frieze board. When that line got over to the porch on the left it would have to drop down to case in the porch beam. Not smooth. On the windows above, the casing for the windows is independent and below the frieze which is preferable, however, I was setting the three lower windows as high and large as I could over a countertop to maximize light into a deep room. We were squished also in terms of the roof in order to get it well under the upstairs windows. Especially over the porch area. The contractor's solution would be fine and what I would have designed were it not for the open porch to the right. I found, during the years I worked as a carpenter, that it was easy to concentrate on the task at hand and lose sight of the overall picture. As a designer, sometimes I'll make a foundation more complicated in order to make framing or trim more simple. Or sometimes I'll do things in a more complicated fashion due to an aesthetic historical precedent. (Isn't much of traditional design like that?) Sometimes I will complicate things to make the end result look simple. Sometimes I complicated things just because I can be really really picky.

philosophy and process

Process is a moving target. It changes based upon so many variables, not the least of which is the client. Lately, I've been thinking about all my past work and how, to some extent each project represents where I was at that point in time but mostly, every project represents the client much more than myself in terms of philosophy, aesthetics, etc. Many decisions are made in every project that are, perhaps, guided be me but are not what I would have done if given Carte Blanche. I regret some of these decisions but it is important to remember that they were not my decisions any more than the project was "my project" If a project strays too far from what I want to be associated with, (it's ugly) it doesn't show up in my portfolio. There are plenty of those out there. Sometimes you see it coming and sometimes not. Every now and then you get a client who really wants to listen to what you have to say and is interested in your philosophy but mostly, you just have to sneak that in when nobody's looking.

If you want your house to breathe, give it a set of lungs.

I had another comment recently from a builder who wants to build a house that breathes. I started to reply in an email and then decided to put it hereon the blog instead. What we are doing nowadays in the world of high performance homes is based on studying hundreds of thousands of houses built in the last half century that have failed (which includes the majority of 70's and 80's super-insulated and passive solar homes in the northeast) and applying those lessons to building a durable house nowadays. Houses from before that time period that failed for one reason or another are mostly gone and many of those that remain are simple piggy banks for big oil. We put our money in and the oil companies take it out. Simple. (usually, I like simple but...) For the past few decades, builders in the northeast have been living in a vacuum while the northern Europeans and Canadians paid much more attention to how houses fail, learning from them and adapting. Now the conversation is opening up again and we are taking a seat at the table.

I have lived in houses that breath my whole life. It sucks. Aside from the part where you have to give your money to someone else just to not freeze to death in the winter, there is the comfort aspect of things. Houses I have lived in have never been all that comfortable whether in terms of temperature or moisture levels or even wiping mildew off the window sills. Now, with two children, I worry about the air quality and mold issues inherent in my house that breathes. I would rather be able to seal up the house in the winter and be confident that I was breathing fresh Vermont air all the time than have to step outside for a breath of fresh air or open up the doors and windows if I screw up on getting the woodstove going. Six months out of the year, I would still have the choice to open the windows and turn off the HRV.

We do seem to have more summer moisture and humidity problems than we used to but we also have access to more durable and proven materials and building methods. Some builders and architects are taking advantage of this but most are building the same way they did 20 years ago despite all the failures. A house that breathes and has little or no insulation is a barn and If you want to heat it, that means coming to terms with giving your money away. Jesse Thompson says "People breath air through their lungs, not their skin. Why should houses be any different?" If you want your house to breathe, give it a set of lungs.

There are a range of options for doing this from exhaust only bathroom fans and range hoods (simple and cheap but where does the makeup air come from in a very tight house?) to a full-on Heat Recovery Ventilation System or HRV. These are also fairly simple and effective although significantly more expensive but have the added advantages of recovering much of the heat from the outgoing air as well as providing fresh incoming air exactly where you want it. For more information just type "HRV" or "house ventilation" into the search box on Green Building Advisor and start reading.

Grumpy architect time

From the facebook page Grumpy architect time: 1.If your house is adequately insulated there should be little temperature differential between the ceiling and the floor. 2. Adequately differs from code. Remember, a house built to code is the worst house you can legally build. 3. If you choose not to build an Energy Star certified home please give your poor starving architect the $2k that you obviously have to spare. 4. Does anybody with any real knowledge of building use fiberglass batts anymore? probably not anyone who reads this. 5. Air sealing folks! do it correctly!- not 6 mil poly vapor barrier - that was the 90's We are SO over that. There are some great products and great information is available. Check out 475 supply and Green Building Advisor. 6. Why do people want to build a super-insulated house and then put a full on radiant floor heating system in? - see #3 above about where to send all that extra money. 7. Why do people want to build a new house that looks old? I think it's just a phase this country is in. I see signs that the retro-anachronistic architecture phase is fading. 8. But I do it anyway - gotta feed the family. 9. Bright side - the science of how to build correctly is settling out in favor of simplicity. That is what draws me to the Passive house approach. 10. Why do people have SO MUCH STUFF? 11. How did it happen that I'm going to my 20th year architecture school reunion tomorrow?

Real Vermonters don't have Master Bedroom Suites

(would make a good bumper sticker for me except that nobody would get it.) In rural northern New England – the only local I can really speak authoritatively about – there is a dichotomy of class. It may not reflect income or race but it is something I grew up with. The local kids worked in the kitchens and grounds of the summer camps where the “rich kids” came to play for the summer. It is interesting to read “Maine Home and Design” as an architect who has some connection to the world of art and leisure depicted in those homes as well as a connection to the “other” Maine to whom the magazine is totally irrelevant.

I find the dichotomy affects my own work as well as the clients I have worked with. The typical client with a more middle or upper class suburban background (most of my friends and clients) was raised in a largish home on a largish lot where each kid had his or her own bedroom, there were multiple bathrooms, a garage, a family room – standard stuff to most people. Growing up in rural Maine, however, I had friends who lived in un-insulated homes with no plumbing, 12' wide mobile homes etc. For many, the ideal was one of those new 1200 s.f. Modular homes built up in West Paris. Lots of families included multiple generations and semi-temporary guests all under one roof in a big old farmhouse.

After many years of clients coming to Vermont to build a new home and life who find the idea of not having a master bedroom suite, a T/B ratio =/> 1 (toilet to butt ratio) or a garage to house their cars incomprehensible, (Real Vermonters don't have garages?) I find myself questioning what is important to me and the type of projects I can really get my emotions into. My job requires a fair amount of understanding where someone is coming from and what their frame of reference is. Certainly, most people bring their past with them to the table along with what they see on the internet and in magazines. But when I get a client who with similar (old fashioned?) sensibilities and more of a “slow living” attitude and perspective or at least, a willingness to question their values, it is refreshing.

In designing with a set of priorities to reflect this attitude I think about more seasonal living with the idea of hunkering down close to the woodstove during the colder months, cooking lots of fabulous meals and hosting smaller gatherings of friends and family. In the warmer months, life can expand outward with larger parties in the barn, screened porches become additional living space and sleeping quarters. In my own family's case, the 900 square feet of wood stove heated living space expands to include a screened in porch where we play and eat meals, the barn where I have a desk set up to work and where we have parties and guests have a comfy bed. Plus there is always the fern house and lots of room for tenting in the meadow. Sometimes it is good to tour old houses or even just spend some time in old Sears catalog home books to see what used to be important to people and think about how we say we want to live with a more critical eye and a different perspective.

Why Hire an Architect ?

    An older post buried away and re-posted here today for ya'all with some extra muttering added.

As I have mentioned before, much of my work is for people who would never have gone to an architect in the first place, thinking that they could never afford it. Designing a custom home for someone is an incredibly complex endeavor. You can buy a set of plans relatively cheaply that may go 75% of the way towards fulfilling your needs and end up with a decent house. Most people go this route. However, some of my best work to date has been for people who are more concerned with money and value. I have been hired by clients to say “no, you can’t afford it” when they lose focus in the process of building a home and start to make a decision or series of decisions that would blow the budget. A good architect should be able to save a client at least the cost of architectural services if that is one of the stated goals. If you have $250,000 to spend on a house you can buy a plan and build a house that is worth $250,00 or you can spend $20,000 on an architect and build a house for $230,000 that gets you a better looking house with a more efficient and flexible floor plan and nicer spaces that fit your lifestyle more comfortably, a house that costs less to maintain over the longer term. Notice that I keep saying “good architect”. As with any profession there is a wide range of talent and specialties. Always ask for and check references. Find an architect and a builder who you are comfortable with. You need to develop a good relationship with these folks. They’re not just there to sell you something.

Of course if you have lots and lots of money, maybe you don't need an architect. Many problems can be solved by throwing more money at them. Perhaps a not-so great-floor plan can be solved by increasing the size of the building. If it starts looking too big you can add jigs and jogs and gratuitous dormers and gables to lessen the visual impact. Perhaps a high heating bill doesn't bother you so why bother with energy modeling and value engineering? Perhaps you are not planning on spending a lot of time in the new home so certain things are simply less important. If your caretaker discovers leaking, rot and mold 6 years down the road there are folks who are perfectly willing to deal with that too.

Miscellaneous Musings

I am working on this new small greek revival in Maine. Not the high style Greek Revival with huge columns like you see on banks and government buildings but the small, simple style that is so ubiquitous in New England and doesn't get much attention but everybody knows. I'm designing it to "pretty good house" standards. It is for a family member who lost her house in a fire- we'll see how the budget goes and if the details get watered down as is often the case. She has always loved the Greek Revival look which is more often done wrong than right it seems. I used this sketchup model to push and pull and play with trim and proportion to get it right. I have found that often the frieze board (the wide flat board at the top of the siding under the eaves) often gets shortchanged when the builder frames the house including window openings then discovers that he doesn't have enough room for a properly proportioned frieze.

In any design there is always a lot of back and forth on windows - what works inside may not be so great on the outside etc. so I use the model to really fine tune it in terms of balance, rhythm, symmetry/asymmetry (exterior aesthetics) and light, cross ventilation, views, sun and solar gain, the feel of the room, (function and interior aesthetics)

This is very different from this house which is currently under construction in Vermont which is also a "Pretty Good House" although nearly to the Passive House with Unilux triple glazed windows from Germany But with a modern aesthetic and some really beautiful spaces and materials. We are using raw green 1 x 3 hemlock from a local mill at siding over coravent strapping (rain screen detail) and Mento 1000 weather barrier. The hemlock will dry in place, turn grey and gap in a rougher version of open joint siding often created with Ipe or cedar siding.

I am also studying and reviewing the first three days of Passive House training. The next three days are coming up next week. I am learning a lot of building science stuff that will improve the level of design and service I am able to provide - whether or not I ever get to work on a certified passive house. It was disconcerting, however, to ride the bus into Boston past thousands upon thousands of older houses and housing stock that is rather the opposite of Passive House in terms of energy usage and all the other metrics. You get the feeling of "what's the point". Is passive house a just another trophy for someone building a new house to attain and meaningless in terms of saving ourselves from the coming death, doom and destruction of climate change? I am looking at it in terms of simply building better houses and not thinking about saving the world.

"No matter how many times you save the world, it always manages to get back in jeopardy again. Sometimes I just want it to stay saved, you know? " - Mr Incredible.

I'm the only architect in the United States without an I-Phone!

I'm the only architect in the United States without an I-Phone ?(or rectangly glasses) (or black in my wardrobe – old bike race t-shirts don't count right?) (or even a jacket – let alone a suit!) Ah, rural life...peaceful silence, other than the occasional airplane, haying in nearby fields and a neighbor down the road working on enlarging a wood pile (insert personal guilt and feelings of inadequacy here) and no internet or cell phone access. Actually much of this area of Vermont has no internet or cell phone access once you leave the I-91 corridor. So I have an office in Brattleboro with cable and my business phone is my cell phone. When I leave my office it usually means I am also out of cell phone range. Thus I have little use for a smart phone. I sometimes long for “aps” even though I barely even know what they are and, by the way, I can't text to save my life. We also gave up on TV years ago. The only option for television is a satellite dish high on a tree near the house. Then at some point we realized we were much to busy to ever actually watch TV so we canceled service. We still had a public television station when the rabbit ears were adjusted just so. Then TV went digital and we lost our one remaining station after trying out one of those little boxes you get with a coupon. The we got a Netflix account which we still have although we manage to watch about one movie every six weeks. (we came down with kids) so I expect that will go next. So there is still radio. Except that the sound of the wind in the pine trees over the house and the crickets in the field is so lovely.

Working part time – my daily schedule and life

As my mom says: “When do you actually work?”The answer is complicated. I try to fit in a bit of work here and there when nobody is paying attention. This morning I had the kids until 2 pm. And now I have a few hours to get a proposal done and type up this little bit of mumble. Then I have to head back into the house to start supper. (I'm at my big desk in my big barn right now with a lovely breeze flowing through the window) Typical day in the summer. Normally, I would be more of a morning person and get up very early every day to start work. Except I have to pack lunches, haul my 5 year old teenager out of bed, argue with her, feed her and get her dressed and started on her day. I would much rather be off on my bike right now. After supper usually involves lots of dishes and laundry and corralling Charlotte to bed which includes more arguing. Then more dishes to wash. By this time I am usually exhausted. During the school year it is usually a bit easier to get in my hours although with the new kid, (6 mos.) this coming year may be will be a bit more complicated. In architecture school I was usually up until at least midnight and I often was at my $3/hour work study job in the library until 1 am. Then early classes. It is very hard to imagine how I did it. I guess I must have been in my twenties or something.

What would Bob do?

I have been asked before: If I could start from scratch with a decent budget, what sort of a house would I build for myself? I was thinking about that the other day as my eyes wandered up to the huge pine and maple trees that tower over the house (mental note: check homeowners policy) That is a tough question to answer. Part of me would live to live in a big old farmhouse and part of me wants a Tom Kundig sort of house with lots of steel, glass and concrete and a cool device that does something interesting. The reality may be somewhere in between. Living where I do, energy efficiency and insulation rule out either of these options in their pure form. But there are lessons to be learned from both extremes. My own tastes probably run toward a warm modernism with Scandinavian influences that isn't afraid of wood and stone as well as glass and steel. I would not impose the limitations of “traditional” architecture on myself. I've seen too much for that. I'm spoiled. I like light and dark, open spaces and well defined spaces. Indoor and outdoor. I don't like to take my shoes off whenever I come in the house. Function rules! I like porches. I like woodstoves.

I like low maintenance. I like simplicity. I want a huge range in the kitchen and a huge island to match. I like old fashioned pantries - with a window. I like when a window goes down to the floor. I want laser cut steel switchplate covers. I like wood ceilings and floors but not wood walls. I love dark slate with dark thin grout lines. I don't like big bedrooms. I want a soaking tub. I dislike fancy. I hate frippery and fakery! (fake divided lite windows make me gag) Sometimes I use the term “carpenter modern” to describe my tastes. There is a lot of this in VT. My own barn is a good example. It describes a building or house or detail that does the job without any overt nod to “style” but in its simplicity and function and logic, it becomes beautiful. Did I mention that I love raw steel? It is difficult for me to find examples of what I like in print media. Everything is too big, too fancy, too complicated, too precious. Dwell Magazine does a better job of presenting "real people" type projects. And I love looking at what happens down South at Auburn U's Rural studio If I were to design my own home, it would probably kill me.

the path to success

diagram stolen from facebook I stole this off a friends facebook page and I don't know where she got it from. This sums up so much of what I do. As I gain experience I should be able to make my process look more and more like the first sketch right? Nope - as I gain experience I see more options and opportunities on my way toward success so the process looks more like the second diagram but for different reasons than, say ten years ago. I occasionally stumble when I come to clients with a piece of paper or a model outlining a simple and clean solution that gives no indication of all the work it took to get there. All the things I tried and rejected, wrong turns, right turns, left turns and my turns, all the prior versions and sketches, all the time looking for just the right inspiration in books, magazines and on the web - (Google images is a great tool, as is Houzz.com) I find if I don't include clients in the process more, all they see is the success part and have a hard time understanding why they must pay for the time it took to get there.

classic farmhouse in Vermont

Doing the Architect thing

Probably related to the previous post.There seems to be a lot of psychology to what I do as an architect. When someone comes to me with their ideas I often sense that there is something behind those ideas and I want to know what it is. Some people welcome this level of “interrogation” and others just want me to do some drafting so they can get it built. I figure if someone is going to spend hundreds of thousands of dollars on something, they would want it to be the absolute best thing possible to meet their needs. (needs including budget!) I like to understand people's needs as well as to help them analyze their needs, not just write them down and follow blindly. Sometimes clients are pretty insistent that I do follow blindly. I think this usually happens when they have either been thinking about a project for so long that they have lost all objective ability or desire to critique their own thinking or if they are sick of thinking about it and just want to get on with it. Following blindly is difficult for me. I have often heard “I've finished designing it and now I need and architect to draw it up” Huh? Sometimes I have to do it just to pay the bills but it is difficult to stand by and watch people do stupid or ugly or overly complicated things. It feels like a cop out and like I'm not really doing my job. I would hate to have someone come back to me later and say “why didn't you suggest doing it this way?” I can't really tell them “because this was just a drafting job and you were too cheap to pay me to do the architect thing” Numerous times I have started a project at this “just follow the program” stage, couldn't help myself and suggested a different way of looking at things which starts a cascade of communications resulting in going back to square one where I get to help them analyze and re-define the whole “program” which is what I probably should have been hired to do in the first place.

Nostalgia as a design influence

(Grumbly architect alert)Nostalgia is a powerful design influence for most clients. I find it interesting that otherwise artistic and creative people get all conservative when considering their own houses and I think a lot of this is due to a sense of nostalgia and a search for an emotional connection to something from their past whether real or imagined. Sometimes, however it may be less nostalgia and more along the lines of simple thinking about architecture as something that happens to other people. People are not very nostalgic or conservative when it comes to choosing their automobile or smartphone or clothing but there seems to be a strong disconnect between architecture and the other visual arts. In my own practice, I have seen this nostalgia border on a crippling anachronism where people really want something that may not be in their best interest or conflicts with their other requirements. A few years ago I did some projects for a dance camp in Massachusetts and found that these supposedly creative and artistic people were incredibly conservative to work with and really demanded a strict re-creation of the existing architecture (but up to code). It was frustrating as an architect to see so much potential to do wonderful things but to meet with such resistance to change. Imagine trying to put a modern Honda civic engine and interior in a model T shell – Except it is not even a real model T shell but a carbon fiber copy that sort of looks like a model T (ish). That is what so many people want in their homes. Not far from here is a house that replaces an old cape that burned down a while back. The owner took the insurance money and build a new “old cape” except the builder got the proportions all wrong and the trim is kind of cheap looking and the windows have fake muntins and there are french doors everywhere and, well, it looks look what I would call a faux neo-colonial. To me it looks yucky but I am aware that most friends and family would look at it and say “Oh how lovely, it looks like it has always been there”

Timberdoodles!

This is decidedly a non-architectural blog entry. More along the lines of child rearing and parenting. We have been having quite a warm spell in Vermont. Some trees are reacting to the warmth by leafing out which would indicate a measure of trust that I do not share. I remember a few years ago when the skies opened up and dumped heavy wet snow on all the newly leafed out trees causing much damage and looking weird. In any case the birds are returning a bit early including one of my favorites: the Timberdoodle! (American Woodcock to real birders but, of course, timberdoodle is oh so much more fun to say) timberdoodle

So the other night I took my daughter out into a huge field near my house when it was almost dark to listen to the bird do its thing. First it beeps or buzzes on the ground then it flies madly skyward with its wings making an interesting and indescribable sound then it swoops back to earth in a rather death defying (if it weren't a bird) fashion making fun swooping sounds. This, of course kept my daughter way up past her bedtime on a school night but some things are way more important than bedtime. Such as Timberdoodles! I am a birder (among 400 other things) so here are some links: Link to the Cornell Lab of Ornithology Link to Wikipedia article Link to Timberdoodle.org – the woodcock management plan